Monday, 12 November 2012

LONDON CAFE LEGACY

For habitual coffee drinkers in a hustling morning in London, squeezing out a cloned coffee chain shop with sipping a hot espresso on their hands is a common routine just to freshen up for another working day. Over time London coffee was portrayed as dull and cultureless to the point that some may even say London doesn’t have a café culture but only high street coffee chains, and if you are expecting an expertly made espresso you need to fly over the sea to Rome or Paris.
Indeed, the domination of high quality café in Italy is set in stone.  Sipping a traditionally made Italian-style cappuccino taste much more than frothy coffee flavoured milk as those in Starbucks or Costa, you can almost taste the history of it. But saying that coffee culture in London is merely leaked from Italy is remaining fallacy. According to London historian Dr Matthew Green, the culture of café (or coffeehouse) in London began in mid 17th century while the first London’s coffeehouse opened in 1652. Just like the function of bathing spot in ancient Rome, London’s coffeehouse was a platform to socialize and brought ideas and elites together. From then, coffeehouse was labelled as a debate theatre where full of ‘opportunities for intellectual engagement and spirited debate with strangers.’ Once entered the coffeehouse people started mingling, this is an unbreakable in coffeehouse yet one that seems abnormal to us today.
With the established history of café culture, the cafe business in London alongside with the quality of coffee is continuously soaring. You would definitely be convinced when you taste a velvety flat white coffee in the namesake café Flat White (sister to the Milk Bar) located at 17 Berwick Street. Recommended also by Timeout London, Flat White is producing quality guaranteed coffees with the newest brewing technique including cold filters and tailor-made 4-group Synesso Hydra. Besides, coffee bean used in Flat White is from Square Mile Coffee Roasters which located in London, it is at its best condition since roasted coffee cannot survive in travelling, it would rapidly go stale and the flavour would be lost. This is why locally roasted coffee like the way Flat White is using, considered the best quality. According to Australian coffee expert Nolan Hirte, good coffee comes down to how well it was processed, each crop and priorly the terroir of where they roasted. It is at its best between 6-12 days after it was roasted.
With using the same coffee roaster, Prufrock Coffee where located at 23-25 Leather Lane is another master of London coffee culture. Featuring varies of brewing methods with a workshop in the cellar, Prufrock Coffee pay more attention on the details from using Vichy Catalan water (hailed as the most recognized mineral water from Spain) to bespoke coffee cup.
Monmouth Coffee on the other hand offers a wide range of beans roasted on their own apart from the coffee. Located at London hardcore areas including Covent Garden, Borough Market and Bermondsey often with a long queue snaking out onto the pavement, symbolizes the thriving coffee culture in London. In Monmouth Coffee we can see a trace of the old coffeehouse legacy in which communication always goes first – outside the booth in the chatting area, no mobile phone is allowed!
It is noticeable that all the cafés that introduced above are all artisanal independent in which the flame comes from assiduous studies and practices in coffee making instead of relying on propagandas. Convincing others how good is a coffee is almost impossible by mere words whereas it is crucial to experience in first-hand. If you are a metropolitan Londoner who fed up by mediocre coffee from chain shops and in turn to seek out higher quality coffee, don’t hesitate to try out some of those recommended; I can assure you the longer you have to queue for, the more it worth the wait.

Thursday, 15 December 2011

On our hands

Designing a garment initiative only by following motion and mood. To mold the whole garment randomly and recklessly, playing with clay is the best way to actually feel how the garment is being created on our own hands. This grotesque and  fantastical pieces was being molded by squeezing and forcing, trying to create an inside out human body texture/image.




 Process | It started with a plasticine mask shaped as deformed facial feathers. Intrigued by the process of creating and listening to music at the same time, the whole feathers was totally influenced by the melody.




Develop | Every experimental models has been recorded by taking photos and sketch, it helps with the up coming design stages.






Monday, 5 December 2011

Sunday, 20 November 2011

Foam City by Sony

Sony shoot captures magical moments in Miami
Foam City creates images.like.no.other
Sony has set out to capture the advertising world  again with a new commercial designed to showcase thecapabilitiesofits digital imaging products - Handycam and Cyber-shot ranges.


Shot in Miami, Florida, the advert entitled ‘Foam City’, turn the Downtown area of the city into a foam-filled wonderland – with foam and bubbles in all streets. The world’s largest foam machine which is 2.8m in diameter has been built for the show, with over two million litres of foam being produced every minute.

Miami citizens who have become "star" in the ad have been invited to enter the  City whilst the cameras capturing their every movement and reaction to their extraordinary surroundings especially when vehicles  are driven through the foam-filled land.

The inhabitants in the city are being asked to capture every single moment with using a selection of Sony’s range of Cyber-shot digital stills cameras, Handycam camcorders and a DSLR cameras, all the images taken will be uploaded to online database which allowing people not only re-living their own experiences,  but also sharing them as well.
“We wanted this to be a magical event where people would be able to have a truly unique photographic experience, where they could actually take images like no other,” says James Kennedy, General Manager, Marketing Communications, Sony Europe. “A place where we could show just how our products are designed to capture real life moments as they happen, in perfect detail. With Foam City, we have created somewhere you just can’t put your camera down, even for a moment, as something totally unexpected and wonderful happens every second.”

“A lot of my work to date has focused on people’s honest experiences and emotions,” says Director Simon Ratigan. “Having the citizens of Miami involved, with their free spirited nature and willingness to interact with this new and exciting environment, without any guidance other than to go and explore, has been a wonderful experience. The final ad will show natural, real life emotions and reactions to a city full of foam.”

To learn more the advert online, please visit: http://www.sony.co.uk/images


Saturday, 12 November 2011

21th century Fashion


Inspired by two of David Lynch movies "The Elephant Man"(1980) and "Erasehead"(1977), the project aims to "recycle"beauty and human identity.  Since the beginning of human civilization, the function of clothing is a protection of human body both physically and mentally. However, function was being abused when people tried too hard to cover faults/wounds/scars by more fabrics and cosmetics makes one look like a Christmas present  package instead of real protection because they block the way to truly face to ourselves.The more faults have been hidden, the more we afraid of them. Think in another way, faults or wounds are somehow beautiful not only apparently, but the fact that once we accept our own fault which originally belong to ourselves, they become real protection that can be substituted to fabric or cosmetic which are harmful to environment and human relatively, skin that origin in our won body is the best protection of us, that's how the term"First Skin came up with.


Capable form of human body 
Examples of faults on skin
Examples of twisted body skin
Conceptual human body by American photographer Jane Tuckerman
The Sea Star looks to be covered in jewels, diamonds and rosy quartz. 
Actually they are ossicles  andpustules, making colored patternsto camouflage the Sea Star, 
or warn predators away, protecting themselves by their own skin.
Microscopic picture of scab
Material experiment
Transparent styrofoam pattern  

Design process

Recycling beauty
Everyone are different, since when baby-liked and
 milky color skin and beautiful are equality? 
Try to accept what’s origin in our body so that 
maybe even pimples on our face can be treated 
as pearls. 




Recycling human
People cover upFaults, wounds and scars by perfect appearance. 
Everything become transparent under x-ray. 
When everything is see through , 
its time for us to start to accept and appreciate their beauty. 
Recycling identity
Figure print represent identity.
What we wear in daily life represent who we are.
Put your figure print on to authorize a dress to be yours.



Wednesday, 2 November 2011